Waitress at the Edinburgh Playhouse: A Masterclass in Sugar, Butter and Heart
By Lissy Dutch
Waitress is, and likely always will be, one of my favorite musicals of all time. My history with this show is etched into my own timeline. I first saw it in the spring of 2019, pregnant with my daughter, completely unaware of the emotional journey I was about to embark on. I returned twelve months later, just before the world was shuttering for lockdown, and stood at the stage door with tear-stained cheeks to tell the incomparable Sara Bareilles just how much her music and her musical meant to me.
Last night, invited to the opening night at the Edinburgh Playhouse, I found myself moved to tears once again. Before the UK tour began, Sara Bareilles reflected on why this story endures:
"I still love that this is not a musical about heroes and villains, but about messy people doing the best they can, making mistakes, finding redemption, and learning to lean on each other. I find it so human and timeless."
A Recipe for Perfection
I truly believe Waitress is an absolutely perfect musical. It has all the necessary ingredients: comedy, drama, a captivating love story, deep sorrow, an agonizing decision, and a big plot twist. Crucially, it handles all of these elements with immense heart and hope.
The story follows Jenna, a woman trapped in a stagnant town and an abusive marriage. When she discovers she is pregnant, her "unhappy accident" feels like a final curtain call on her dreams, that is until a pie-baking contest and a handsome quirky new doctor offer her a glimpse of a different life.
The show sees the return of West End veterans Sandra Marvin and Evelyn Hoskins reprising their roles as Becky and Dawn. These two are a joy to watch; they provide the high-octane energy and comedic relief needed to balance the show’s heavier themes, portraying a fierce, sisterly connection that feels incredibly lived in.
Unexpected Ingredients
Dan Partridge takes on the role of the "overly friendly" Dr. Pomatter with a refreshing balance of silliness and compassion. His comedic timing is razor-sharp, making the character’s awkwardness feel genuinely sexy and witty. The chemistry between Partridge and Fletcher is palpable, turning their amorous, complicated affair into a comedic highlight.
Then there is Les Dennis as Joe. It would be easy to play the "ornery diner owner" as a caricature, but Dennis avoids every trope. Instead, he delivers a performance of quiet authority and immense kindness. Discussing the role, Dennis noted:
"Joe is a surrogate dad to the main character Jenna. He’s described as curmudgeonly, but with a buttercream centre. He doesn't give much away... but he really cares about Jenna."
That "buttercream centre" was on full display during "Take It from an Old Man," which Dennis performed with such heartfelt honesty that it anchored the show’s emotional second act. Hearing it felt like receiving a hug from your Granddad.
The Centerpiece: Carrie Hope Fletcher
Finally, we must talk about Carrie Hope Fletcher. She brings a softness to Jenna but keeps a fierce edge of quick wit and gumption. You feel her weariness, her disappointment, and her genuine fear as she navigates her miserable marriage and her growing feelings for Dr. Pomatter.
But it is her performance of "She Used to Be Mine" that defines the night. Sara Bareilles recently noted of the song:
“I never imagined the song would take on such a life of its own, but the fact that it resonates so deeply and people find catharsis in sharing it is a profound joy. I think it’s testament to Adrienne Shelly’s storytelling and what moved in me because of her. Now it’s moving in others. That’s so special”
"Moving" is an understatement. Carrie’s rendition was one of the most hauntingly beautiful I have ever heard: a raw, broken look at a woman who no longer recognizes herself. As the final notes rang out, there wasn't a dry eye in the Playhouse.
The Verdict
It is an incredibly powerful thing to watch a woman realize her worth, fight for it, and come out stronger and happier on the other side. This production proves that Waitress isn't just a musical; it's a village. It’s a story about the people we lean on when life gets messy. Whether you’re a veteran fan or a first timer, this is a must-see.
Waitress runs at the Edinburgh Playhouse until the 16th of May. Get your tickets now.
9 March 2026
Reviewed by Lissy Dutch
Gigantic Talent, Tiny Hero: Matilda the Musical is a Triumph at the Edinburgh Playhouse!
Finally, a Headmistress worse than us! Every Imperfect Mum needs to head to The Playhouse to see Matilda the Musical! If you’ve ever felt like a revolting parent after a particularly chaotic school run, Matilda The Musical at the Edinburgh Playhouse is the high-octane soul-soothing you need. While we at the Society embrace our imperfections, this production is, quite frankly, flawless.
At the heart of the revolt was Madison Davis, whose Matilda was a revelation, possessing a quiet, steely resolve and a vocal clarity that commanded the vast Playhouse stage. She was perfectly matched by Carter-J Murphy as Bruce Bogtrotter; his chocolate cake showdown was a comedic triumph, culminating in a vocal performance that brought the house down. The parenting on display (or lack thereof) was led by the deliciously garish Rebecca Thornhill and Adam Stafford as the fiendish Wormwoods, whose neon-bright neglect provided the perfect comedic foil to Tessa Kadler’s exquisitely tender Miss Honey. Kadler brought a raw, heart-wrenching vulnerability to the role that resonated deeply with every mother in the room.
However, it was Richard Hurst as Miss Trunchbull who stole the show! Hurst’s portrayal was a masterclass in calculated terror and physical comedy; a reminder that no matter how bad our morning was, at least we aren't swinging toddlers by their pigtails and pulling the ears off little boys! With sharp choreography and a set that transforms the stage into a labyrinth of imagination, this isn’t just a show; it’s a fiercely clever tribute to Dahl’s tale of resilience. Grab a glass of fizz and leave the ;perfect expectations at the door.
It’s loud, it’s naughty, and it is exactly the kind of unapologetic magic Edinburgh deserves.
Directed by Matthew Warchus
Matilda The Musical Tickets | Edinburgh Playhouse in Edinburgh | ATG Tickets
6 February 2026
Reviewed by Lissy Dutch
The One Where They All Start Singing… FRIENDS the Musical brings 90s Nostalgia to Edinburgh!
Grab your lobster or your besties because for this weekend only, The Edinburgh Playhouse’s address is 495 Grove Street and it serves the best antidote to the February blues in town! FRIENDS the Musical is a massive musical time machine. Suddenly, it’s 1994. The air smells like hairspray and espresso, and we’re back on the soundstage of the world’s biggest sitcom. Edward Leigh fabulously takes up the role of stand-up comedian, warming up the crowd with that unmistakable, quaint New York charm, preparing us for the arrival of the six best friends who spend their lives at Central Perk, apparently the only coffee shop in all of Manhattan.
From the first chord, the Edinburgh Playhouse transforms into a temple of 90s nostalgia, but with a twist. This parody leans hard into the absurdity of the original premise, mocking the very tropes we spent a decade falling in love with. We’re asked to “suspend our disbelief” into how Monica could possibly afford such a massive apartment on such a minimal salary and ignore the fact that the door to their flat was always unlocked and they never paid for their coffee. The cast doesn’t just play these characters; they inhabit the caricatures we’ve built in our heads and weaponise their famous tics for laughs. From the exaggerated sighs of Ross, and over the top punchline deliveries and physical comedy of Chandler, to the manic personality swaps of Phoebe, FRIENDS the Musical turns these quirks into high-octane showstoppers, reminding us that while the logic was flawed, their chemistry was undeniable.
The show also brilliantly pays homage to the quirky peripheral characters that defined the era. Gunther, Janice, and even a “mustache-heavy” tribute to Tom Selleck are celebrated through ridiculously funny solos and over-the-top, music-video-style dance numbers that bring the house down. Ultimately, it’s a caffeinated, chaotic trip down memory lane that proves that even thirty years later, these characters are still “there for us”, just with a lot more jazz hands, and we’re HERE for it!
Starring Enzo Benvenuti as Ross, Alicia Belgarde as Monica, Daniel Parkinson as Chandler, Eva Hope as Rachel, Ronnie Burden as Joey, Amelia Atherton as Phoebe, Edward Leigh as Gunther, Tom Selleck & Paolo
Directed by Michel Gyngell
FRIENDS! The Musical Parody Tickets | Tours & Dates | ATG Tickets
12 January 2026
Reviewed by Lissy Dutch
Legendary & Cult Status Unlocked: The Rocky Horror Show Delivers a Rare Raucous Treat!
It’s a normal Thursday night in Edinburgh for January; it’s pitch dark, the pavements are icy and one would rather be snuggled up on the sofa with a takeaway rather than wandering the frozen streets. That is however, not the vibe as you near the Playhouse. Bejeweled patrons are gathering in droves, taking costumed selfies with the iconic Jason Donovan on the digital marquee.
Glam-Rock Punk Pomp and Circumstance are themes of the night. As an American-born Londoner turned Edinburgher, I am beyond excited by the dedication and effort put into the costumes. I find myself surrounded by sequined bodices and top hats to celebrate the vibrant Columbia and sultry corsets and fishnets to honour of the flamboyantly hedonistic Frank-n-Furter.
The house lights dim, and immediately you are immersed in the spectacle as the 1975 film is brought to life on the stage. Motherland’s Jackie Clune delights as the narrator, responding to audience participation with her quick wit and charming satirical retorts.
The famous story of the outrageously conventional Janet and Brad begins and the strength and cohesion of this cast is evident from the very first scene. The comedic timing, insane power-house vocals and dynamic choreography transport the audience to the otherworldly realm of Dr. Frank-n-Furter's castle with ease.
As Jason Donovan emerged cloaked in his Draculin robe, we knew we were in for a wild ride. His dedication to the role of the devilishly hedonistic Dr. Frank-n-Furter is apparent as he swishes across the stage in his fishnets and pearls in all his camp glory. Even RuPaul herself would have been proud of the former Neighbours alum. Donovan’s portrayal of the brilliantly chaotic transvestite mad scientist is sexy and comedic yet he manages to also showcase his melancholy and emotional side. His rendition of ‘I’m Going Home’ was a perfect juxtaposition to the raunchy alien, showing a sad and vulnerable, lonely creature who knows his time is up.
By the time the cast assembled for encore renditions of ‘Time Warp’ and ‘Sweet Transvestite’, the audience were on their feet; dancing and singing our hearts out, punch-drunk on the joy, nostalgia, and energy only truly incredible theatre can bring.